Manipulovaná fotografie a pokles důležitosti fotoaparátu v současném umění.

B.A. Mark James PRETHERO

Diplomová práce

The manipulated photograph and the increasing insignificance of the camera in contemporary art.

Abstract:

Since the digitalisation of the photograph it has without a doubt been taken to a much wider audience, with more photographs been made everyday than ever before. As the technology of cameras and software has grown it has brought with it many changes of how the photograph is perceived, raising debates about whether its still valid to see it as "truthful" medium as it was once called in the earlier days. The medium has been opened to a huge range of post-production and manipulation possibilities, so much in fact creative potential of the digital image is getting closer and closer to those of painters.

Abstract:

Since the digitalisation of the photograph it has without a doubt been taken to a much wider audience, with more photographs been made everyday than ever before. As the technology of cameras and software has grown it has brought with it many changes of how the photograph is perceived, raising debates about whether its still valid to see it as "truthful" medium as it was once called in the earlier days. The medium has been opened to a huge range of post-production and manipulation possibilities, so much in fact creative potential of the digital image is getting closer and closer to those of painters.

Keywords

contemporary photography, insignifacance of camera, post-production, manipulation, digital image, painting, figurative photography

Jazyk práce: angličtina

Datum vytvoření / odevzdání či podání práce: 25. 5. 2012

Zveřejnit od: 31. 12. 2999

Obhajoba závěrečné práce

• Vedoucí: Mgr. Zdena Kolečková, Ph.D.

UNIVERZITA JANA EVANGELISTY PURKYNĚ V ÚSTÍ NAD LABEM

Fakulta umění a designu

Magisterský studijní program / obor:
Výtvarná umění / Photography