Speculation and Estrangement

Matthew Colodny

Master's thesis

Spekulace a Odcizení

Anotácia:

This MA thesis explores the intersection between the methodologies of science fiction and art. Science Fiction has always had a specific relationship to reality and in particular to scientific knowledge. But its influence is not limited merely to the world of technological development and speculation. Science fiction is in a unique position as a genre in that its influence can be felt everywhere, and that its permeability and adaptability are defining features of it. Many surveys of the influence of science fiction have been conducted, but very few have focused on the contemporary impetus to engage in speculative world building, and the ways that these practices intersect with contemporary art and philosophy. This essay gives a brief overview of the history of science fiction, starting in its development in ancient and classical stories into the present day. It also gives an overview of the development and changes in science fiction thought within the field of science fiction studies. Following this it conducts an evaluation of the ways in which science fiction interacts with contemporary theory and practice. Specific attention is paid to the ways that science fiction led to the development of certain modes of accelerationist thought, speculative realism and its relationship to knowledge, and utopian studies as separate from science fiction. Following this a brief survey of contemporary artists whose work interacts with certain principles unique to science fiction will be conducted. Specific attention will be paid to concepts of worldbuilding and estrangement, as well as methods for engaging and presenting postcolonial thought and practice. This paper argues that there is much to gain in studying science fiction, and provides examples of cases where such readings can be useful and productive.

Abstract:

This MA thesis explores the intersection between the methodologies of science fiction and art. Science Fiction has always had a specific relationship to reality and in particular to scientific knowledge. But its influence is not limited merely to the world of technological development and speculation. Science fiction is in a unique position as a genre in that its influence can be felt everywhere, and that its permeability and adaptability are defining features of it. Many surveys of the influence of science fiction have been conducted, but very few have focused on the contemporary impetus to engage in speculative world building, and the ways that these practices intersect with contemporary art and philosophy. This essay gives a brief overview of the history of science fiction, starting in its development in ancient and classical stories into the present day. It also gives an overview of the development and changes in science fiction thought within the field of science fiction studies. Following this it conducts an evaluation of the ways in which science fiction interacts with contemporary theory and practice. Specific attention is paid to the ways that science fiction led to the development of certain modes of accelerationist thought, speculative realism and its relationship to knowledge, and utopian studies as separate from science fiction. Following this a brief survey of contemporary artists whose work interacts with certain principles unique to science fiction will be conducted. Specific attention will be paid to concepts of worldbuilding and estrangement, as well as methods for engaging and presenting postcolonial thought and practice. This paper argues that there is much to gain in studying science fiction, and provides examples of cases where such readings can be useful and productive.

Kľúčové slová

teorie fotografie

Kľúčové slová

teorie umění

Kľúčové slová

science-fiction

Kľúčové slová

Sultan, Larry, 1946-2009

Kľúčové slová

psychologické aspekty

Kľúčové slová

odcizení, (sociální, psychologie)

Kľúčové slová

fotografové

Kľúčové slová

filozofické aspekty

Jazyk práce: Czech

Datum vytvoření / odevzdání či podání práce: 30. 4. 2019

Obhajoba závěrečné práce

• Obhajoba proběhla 18. 6. 2019
• Vedúci: Václav JANOŠČÍK
• Oponent: Tereza STEJSKALOVÁ

Akademie múzických umění v Praze

Filmová a televizní fakulta

Master programme / odbor:
Filmové, televizní a fotografické umění a nová média / Fotografie