Bc. Zuzana Stanková

Master's thesis

Linearita v televíznej skečovej komédii: S.O.S., Kredenc, Pumpa

Linearity in television sketch comedy: S.O.S., Kredenc, Pumpa
Abstract:
The primary subject of this master's thesis is the structural analysis of the Slovak sketch series S.O.S., Kredenc and Pumpa. Using the tools of serial poetics, it explores the ways in which the writing team has gradually come to terms with the need to add linearity and continuity to such a diverse and non-linear form of entertainment as sketch comedy. The text examines both the methods that create …more
Abstract:
Primárnym predmetom tejto magisterskej práce je štruktúrna analýza slovenských skečových seriálov S.O.S., Kredenc a Pumpa. Pomocou nástrojov seriálovej poetiky skúma spôsoby, akými sa autorský tím postupne vyrovnával s nutnosťou dodať linearitu a kontinuitu do tak rozmanitej a nelineárnej formy zábavy, akou je skečová komédia. Text sa jednak venuje metódam, ktoré vytvárajú ilúziu linearity v skečovej …more
 
 
Language used: Slovak
Date on which the thesis was submitted / produced: 16. 7. 2024

Thesis defence

  • Date of defence: 3. 9. 2024
  • Supervisor: Mgr. Radomír D. Kokeš, Ph.D.
  • Reader: Mgr. Michal Večeřa, Ph.D.

Citation record

Full text of thesis

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Institution archiving the thesis and making it accessible: Masarykova univerzita, Filozofická fakulta

Masaryk University

Faculty of Arts

Master programme / field:
Theory and History of Film and Audiovisual Culture / Theory and History of Film and Audiovisual Culture

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