Divadlo jako estetická nabídka mezilidské komunikace

Kateřina Šplíchalová

Disertační práce

Theatre as an Invitation to Interpersonal Aesthetic Communication

Anotace:

Ve své disertační práci se budu zabývat principiydivadelní práce s lidmi s mentální retardací, jejich talentem pro oživování loutek, jejich psychofizickými předpoklaey a limity, a především potřebou komunikovat s divákem - být s ním v tvůrčím a recipročním kontaktu v divadelních projektech, které převážně tvoří sami. Budu též reflektovat perspektivy integrovaného divadla - herců s mentální retardací a herců profesionálů (případně vysokoškolských studentů herectví)

Abstract:

THEATRE AS AN INVITATION TO INTERPERSONAL AESTHETIC COMMUNICATION (theatre activities with actors with mental diseases and professionals actors) In this dissertation, I wil start by offering a framework for understanding ?theatre in a specific theatre group? - with actors with mental diseases living in the mental home in general. I will then discuss possible variations of this theme in social interactions (arttherapy, drama education?). After laying these foundations, I will present several lines of research in this area that illustarate how special theatre work with mentally retarded can influence the professional and practical theatre research (interviews with theatre directors, dramaturgist, scenographer and actors). I will also describe a series of pilot performances that focus on principals of activities demonstrating collective theatre searching of mentally disabled persons. My findings demonstarate that theatre representations have a dramatic impact on fantasy, inner life and behaviors of all participants. I attempted to clarify the underlying process that leds actors with mental disess to play with puppets, to make an alternative theatre. I am engaged in a large artistic movement which would like to accomplish an integration of puppet theatre in asylums - hospitals for mentally disabled people. I have been working with mentally disabled actors for eight years already. I have always wanted to enter their imagination and to be able to understand how they think and why. We try to find different ways to come up with a concrete stage solution. It becomes important to understand the rehearsing processes underlying the self-representation of an actor with mental diseas - in terms of how it may impact ones´s own attitudes and behavior, as wel as how it may influence his interactions with others.

Jazyk práce: čeština

Datum vytvoření / odevzdání či podání práce: 9. 9. 2009

Obhajoba závěrečné práce

• Obhajoba proběhla 16. 12. 2009
• Vedoucí: Miloslav Klíma
• Oponent: Zoja Mikotová, Jaroslav Provazník, Josef Valenta

Akademie múzických umění v Praze

Divadelní fakulta AMU

Doktorský studijní program / obor:
Dramatická umění / Alternativní a loutková tvorba a její teorie