Narušená klasičnost ve filmu Dogville

Bc. Miroslav Ostrý

Bachelor's thesis

Disturbed classical hollywood style in movie Dogville

Anotácia:

Cílem této bakalářské práce je neoformalistická analýza filmu Larse Von Triera Dogville. Ta si klade za cíl dokázat, že filmová forma Dogville je postavena na základech klasického hollywoodského filmu ozvláštněného využitím Brechtovské estetiky Epického divadla.

Abstract:

Subject of this bachelor thesis is an analysis of danish director Lars Von Trier´s movie Dogville. Text can be divided into three parts. First part defines metodological tools cruical for the next parts of the text. Second part is based upon contemporary research of film studies which is derived from works of Barbara Klinger and her study of complex movie background, mainly, description of the economic and cultural context, production, distribution, exhibition and reception. This thesis is focused on circumstances of its origin, economical background and critical reactions in the U.S.A. major part of this work is concentrating on neoformalistic analysis, using terminology determined by David Boardwell in Narration in the Fiction Film and Kristin Thompson in Breaking the Glass Armour.. Neoformalist analysis researches entire movie form, and it is focusing mainly on narration and style. It is trying to discover dominant principal working on every formal level of the movie. This aspect is called the dominant. The dominant I have found and tried to justify in this work is how the movie disrupts classical Hollywood movie technique by using Brecht´s aesthetics of epic theatre.

Kľúčové slová

neoformalistická filmová analýza, Dogville, Lars Von Trier, Bertolt Brecht

Jazyk práce: Czech

Datum vytvoření / odevzdání či podání práce: 22. 5. 2012

Obhajoba závěrečné práce

• Obhajoba proběhla 5. 6. 2012
• Vedúci: Mgr. Jakub Klíma

Masaryk University

Faculty of Arts

Bachelor programme / odbor:
General Theory and History of Arts and Culture / Film and Audio-Visual Culture Studies