Putování za německou duchovní písní po barokní Moravě – Bc. Aleš Kučírek
Bc. Aleš Kučírek
Master's thesis
Putování za německou duchovní písní po barokní Moravě
Abstract:
Sféra duchovního zpvu tvoí modelový píklad prolínání dvou národních kultur. Nmecká duchovní píse v Sudetech na jedné stran pechovávala germánskou tradici, na stran druhé do sebe nov vstebávala vlivy eské. Hymnologické odkazy obou zemí mají spolenou bohatou základnu, která dodnes zstává neprobádanou oblastí. Tato práce se pokouší vytvoit celkový pehled nmecké duchovní písn v eském prostedí se zamením …moreAbstract:
Domain of spiritual singing constitutes a model example of mutual pervading of two national cultures. German spiritual song in Sudety (area in the territory of the todays Czech Republic along the borders with Germany and Austria) on one hand kept preserving a Germanic tradition; on the other hand, it newly kept absorbing Czech influences. Hymnologic references of both countries have a common rich base …moreKeywords
I try to create a general overview of German spiritual song in the Czech surroundings focusing on the territory of Moravia. First chapter describes mainly a religious situation in Moravia and deals with a problem of confessionalization. It describes a wave of German immigration and cultural revival of baroque which enabled development of various religious corporations and it presents literary brotherhoods as an example of one of them. Next two chapters try to map a concrete occurrence of German catholic hymnbooks in the territory of Bohemia and Moravia distinguishing three categories of singers first simple hymnbooks used in churches with no accompaniment second hymnbooks with thorough bass and third hymnbooks designated for private religious services. Fourth chapter constitutes a separate section investigating a development of German religious song in general. History of religious singing in the German-speaking countries is an absolutely unique phenomenon which has no competition in the European culture. It has roots as long ago as in the 12th century which enabled a creation of a wide repertoire which formed in Sudety too. And it is the Moravia hymnbooks what the second part of this chapter focuses on. In conclusion I have tried to analyze forty songs coming from the agenda of Olomouc which best represents baroque spiritual singing in Moravian churches.
Language used: Czech
Date on which the thesis was submitted / produced: 18. 1. 2006
Identifier:
https://is.muni.cz/th/lkqca/
Thesis defence
- Date of defence: 18. 1. 2006
- Supervisor: Mgr. Vladimír Maňas, Ph.D.
Full text of thesis
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Institution archiving the thesis and making it accessible: Masarykova univerzita, Filozofická fakultaMasaryk University
Faculty of ArtsMaster programme / field:
General Theory and History of Arts and Culture / Musicology
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